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AnnArt Gallery
Str. Andrei Mureșanu 1

AnnArt is a privately-owned contemporary art gallery founded in May 2011. Our portfolio brings together well-established artists such as Sorin Ilfoveanu, Stefan Câlția, Vladimir Șetran, Paul Neagu, Adrian Ilfoveanu, Roxana Trestioreanu, Florica Prevenda, Francisc Chiuariu, Dorin Crețu, Gheorghe Fikl, Mircea Novac, Felix Aftene or Virgil Scripcariu, as well as promising emerging ones, based in Romania and overseas such as Constantin Rusu, Maia Ștefana Oprea, Andrei Tudoran, Matei Avramescu, Ioana Pioaru, Andrei Mateescu sau Andreea Albani. In partnership with the AnnArt Foundation, the gallery publishes a series of art catalogues and lobbies for art in public spaces through the Art in Green program.

Faking Perfection

ARTE PLASTICE


Tip eveniment
VERNISAJ la NAG
Perioada Expozitie
15.10.2021 - 26.11.2021
Artists:

Faking Perfection is Andrei Tudoran's second solo show at AnnArt Gallery in Bucharest. Andrei pursues this time a configuration of the exhibition combining different practices, approaches and artistic environments. Including painting, drawing and installation, his approach imagines an elliptical path that challenges the profound structural transformations of social and cultural reference systems, in this moment of neoliberal reconstruction of society. The exhibition questions the processes of social, political and cultural disaggregation, towards the non-differentiation areas, dependent on the logic displays of international neoliberalism. This context facilitated by globalized production conditions, through the accentuated absorption of digital technologies, this abyss of personal preferences, the saturation of choices, coagulates a new reality, divided, fragmentary, composed of individual bubbles, as constituting elements of alienation in the post-human, post-Christian, post-internet, post-truth era. Faking Perfection inquiries the reconfiguration of a dystopian world, the existence of a multi personal discursive framework, the expression of micro-narratives, micro-truths, which rely on mutations of personal mythologies, everyday ideologies, the condition of universal consumer suspended between terms and conditions, starting from to the dialectical relationship between art and the new society of control.