"Interiors" "... while concepts create idols, as Gregory of Nyssa notices, only the astonishment capture something. It represents both the entrance and the exit of the maze. In other words, the transition from one state to another. And any change of state, says Rene Guenon, is at the same time an exit and an entrance, if we consider it to be the one or the other: the exit is in relation to the previous state, the entrance is in relation to the constant state. Hence, the importance of symbolism of doors in medieval art. Isn't the essence expressed by crossing limitations, levels, different states in which man is stripped of ideological fixations, those "corpse of beauty" that Sergei Bulgakov speaks about?…" (Extract of "The tensions of wandering" of Andre Desilets).