The exhibition presents the outcomes of two year's artistic and cultural work to reactivate the cultural hearth in Fundata through interdisciplinary workshops, community visits, companion films and in-situ installations. Participatory co-created activities included: mixed media, discussion, storytelling, embroidery, contemporary dance, illustration, fanzines, cyanotype, music composition, sound editing, singing, 16mm film, photography, collage, collective story writing and theatre. The title of the exhibition comes from the gesture of children gathering flowers from meadows in Fundata, and then given as gifts to the artists leading workshops, as well as discovering and gathering local medicinal plants with inter-generational members of the community in Fundata; moments of joy, reciprocity and learning together. It also echo's Robert Duncan's poem "Often I Am Permitted to Return to a Meadow", in which a meadow is a space of "first permission". How can the cultural hearth re-become an important place for the community, a place for both collective and individual multidimensional development, a place for the "first permission"? The exhibition presents the methodologies and artefacts produced during a two year artistic and cultural work that meant to reactivate the cultural hearth in Fundata through interdisciplinary workshops, community visits, companion films and in-situ installations. Participatory co-created activities included: mixed media, discussion, storytelling, embroidery, contemporary dance, illustration, fanzines, cyanotype, music composition, sound editing, singing, 16mm film, photography, collage, collective story writing and theatre. The title of the exhibition comes from the gesture of children gathering flowers from meadows in Fundata, and then given as gifts to the artists leading workshops, as well as discovering and gathering local medicinal plants with inter-generational members of the community in Fundata; moments of joy, reciprocity and learning together. It also echo's Robert Duncan's poem "Often I am Permitted to Return to a Meadow", in which a meadow is a space of "first permission". How can the cultural hearth re-become an important place for the community, a place for both collective and individual multidimensional development, a place for the "first permission"?